Paul Heslop <paul.heslop@blueyonder.co.uk> wrote in message news:<3F048495.4EFF5150@blueyonder.co.uk>...
> Frans59 wrote:
> >
> > Hi all !
> >
> > Would-be-surrealistic.
> > Double Dutch ..!
> >
> > Regards,
> >
> > Frans
> > http://expage.com/fransje
>
> Hi fran, I think you'll find it a little quiet unless you fancy
> scrapping it out with the local trolls.
Worse than the trolls are these cards who have been flooding several
newsgroups with the "Frosty Chicken" thread. This newsgroup has had
dry spells before, but there's maybe a dozen regulars who are probably
never far from earshot, so who can predict when the group will
reactivate?
Frans, I went to your web page and found it interesting, though a bit
messy (on one page, the jpegs wouldn't load; another came up as html
code). I particularly liked your objects. I ran your statement on
surrealism through an on-line translator. This produced inscrutable
phrases like "That is exact what had the surrealisten for eyes," but
even as a garble I think the statement is worth considering so have
attached it below.
-- Parry
Computer-generated translation:
Surrealism has approximately arisen in 1920, at France. The first
theoretical onderbouwing of the movement was established in 1924,
under the guidance of André Breton. Surrealism dedicated himself to
the onderbewuste such as the substantial source of all art. This way
one tried a complete achieve revision of all values. In the first
surrealistic manifest Breton describe surrealism as purely mental
automation, with which it wants give in writing, orally or in other
manners expression to the real thinking process. However, apart from
all control which is exercised by the reason and without aesthetic or
moral preconceptions. For this reason surrealism was also clearly
defined as pure intuitief. Only by means of automatic to write and in
fantasieen and dreams could subconsciousness manifest himself. In that
time it was put that something like that if surrealistic painter art
could not exist, because paint a too aware action was. But in 1925
Breton saw the definition no longer exact the same and he touched of
it persuaded that art could a means to discovery be. What the
surrealisten themselves already were had encountered the weak spot in
the whole definition, automation. They saw in their own work already
clearly the danger of monotony and recurrence for lack of only aware
control. It the painter Salvador Dalí who gave the opening in this
problem, has eventually been. Dalí were it completely once with the
surrealistic ideas of the use of a form of free expressie, which
became by dreams geinspireerd. He realised however that and frequently
geweldadige beelden the complete potential of the foreigner which rose
consciously in him only complete be developed could. This meant not
that he the free association of what he saw censured, but that he a
concrete reality gave by there is artistic leave skills on loose. One
can consider it as hand-made fotografie, exactly reflected phantasms.
By the interpretation which gave Dalí to surrealism there a
bipartition arose within surrealism. The direction of pure mental
automation led to abstract surrealism. This direction characterises
himself through the use of organic, fluent forms, mostly going
together with poetische titles. To the representatives of this
direction among other things Juan Miró and André Masson belong. The
direction of fixing led dreams and the expression of ideas to
figurative surrealism. This stroming is not verwand to magical realism
and characterises itself especially by it beside each other usually
places of to combine objects. The things are jerked because of this
from its link. To the representatives of this direction among other
things Salvador Dalí, Paul Delvaux, René Magritte and Hans Richard
Giger belong. In a striving towards total renewal of all social and
cultural values and standards one aimed at a total dispossession to
the omnipotence of the dream, subconsciousness, the chance.
surrealisten based themselves on the theories of the German
philosopher Freud and on the philosophy of the tevens German
philosopher Hegel. The result the exact reproduction of phantasms or
entirely random objects in a space had been frequently placed, with as
aim fright responses, stupefaction or agitation at public bringing
about.
Only by such violent responses and experiences, people predominate
leave whom they believe loose, want. That is exact what had the
surrealisten for eyes. Only then one can change the values and
standards of the society
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