00-the_twilight_sad-forget_the_night_ahead-(advance)-2009.nfo
Artist: The Twilight Sad
Title: Forget The Night Ahead
Label: FatCat Records
Genre: Indie
Bitrate: 199kbit av.
Time: 00:49:15
Size: 74.07 mb
Rip Date: 2009-08-30
Str Date: 2009-10-05
01. Reflection Of The Television 4:57
02. I Became A Prostitute 5:20
03. Seven Years Of Letters 4:34
04. Made To Disappear 4:52
05. Scissors 3:16
06. That Room 4:33
07. That Birthday Present 5:02
08. Floorboards Under The Bed 3:26
09. Interrupted 3:59
10. The Neighbours Can't Breathe 5:23
11. At The Burnside 3:53
Release Notes:
The Twilight Sad announce the details of their hugely anticipated
will be released in the UK on 5th October.
The Kilsyth quartet have been busy previewing the new songs on both
sides of the Atlantic with US dates supporting Mogwai, and a UK
intensely loud - performances at three Stag and Dagger events, and two
Great Escape appearances. And this time around the band have an
audience, as singer James Graham acknowledged, speaking to Pitchfork
last month; "Now people know us, there's a bit more pressure. Before
there was no expectations. Now people want to come and see this band
they really like, so you think, god, we've got to play really well
delivered in his own Caledonian burr remaining very much on point.
musically and lyrically. One thing that I can promise is that the
lyrics are very dark, but you might have to look into them a bit to
realise [that]. They are mainly based around things that have happened
to me over the past two years, revolving mainly around losing people
and being none too proud or happy with myself about my antics and
sound of the band has moved on from that time, which is something we'll
always try and do, we don't want to ever stand still and make records
MacFarlane at the legendary Chem19 Studios in Glasgow, musically too,
introspection and explosive release, the cacophony broadening to
Cure, Neu, Wire or even Shellac are just as prominent as
longer-standing comparisons to MBV or Joy Division. The album also
features the talents of ex-Aerogramme member, Dok, who also contributes
idea, so we stayed in Scotland for the full process. It let us go home
after sessions - if we weren't getting snowed-in the studio - and we
had more time to experiment and develop the ideas we had. We'd make a
lot of use of an old, half-working, Roland Space Echo that we'd plug
the vocals, noise strings and piano through, that would get an out of
tune effect, like some of the early krautrock recordings. All the
reverbs are natural, which were done by mic'ing up inside the studio
walls and rooms on the other side of the building to get the drum
sound. Three bass heads were blown up [in the process]. There are no
big, long delayed guitars, just a lot more noisy ones and there were a
few songs that maxed out the desk because of the amount that's on
sire@hush.ai
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