00-kip_moore-wild_ones-2015.nfo
Artist: Kip Moore
Album: Wild Ones
Bitrate: 248kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: MCA
Genre: Country
Size: 89.15 megs
PlayTime: 0h 47min 26sec total
Rip Date: 2015-09-04
Store Date: 2015-08-21
Track List:
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01. Wild Ones 3:23
02. Come And Get It 4:57
03. Girl Of The Summer 3:58
04. Magic 3:37
05. That Was Us 4:01
06. Lipstick 4:19
07. What Ya Got On Tonight 3:01
08. Heart's Desire 4:22
09. Complicated 3:04
10. I'm To Blame 2:18
11. That's Alright With Me 3:38
12. Running For You 3:34
13. Comeback Kid 3:14
Release Notes:
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For better or for worse, ever since his 2012 debut, Georgian singer-songwriter
that has been taking country airwaves by storm for some time now. For better or
from that perception, with anthems and ballads alike expanding upon themes
centered around partying, girls, pistols, sex, beer, and trucks. Where Moore
breaks from his the traditional mold that he had enveloped himself around during
material and redone it to get where he is now with his sophomore effort) all
lies within the composition. Largely moving away from the slow-burning,
sometimes brooding arrangements of his debut, Moore grips a significantly more
upbeat instrumentation by the horns in this latest release.
Moore purposefully set out to create a soundscape that he had by and large left
previously uninhabited in his past work, and it does wonders in terms of
creating a fresher sounding experience within a subset that remains so
overwrought with occupants within the modern country scene. All of the
conventional instruments are there, tinged with light inclinations towards
interesting sonic aspects to Wild Ones.
as a bassline to a more sinewy drum-based percussion, with light brushes of
banjo and hand claps keeping it from falling totally into generics as Moore
Springsteen-esque riff while invoking some pseudo-prototypical Mumfordian
well, girls and trucks.
roaring out his best come-hither chorus. It ends with one heck of a guitar solo
to exemplify itself from its fellow album tracks, though once one hits the
obvious that the so-called best songwriting names in Nashville music today all
have a similarly singularly-tracked mind.
The album is infinitely catchy, and a sonic declaration against conformity as
far as being a direct sequel to Up All Night is concerned; its singles will
likely all be major country radio hits, and deservedly so in the current market.
The little touches made by Moore and producer Brett James are just enough to
exemplify itself from other bro country aficionados on the market today,
infinitely more interesting and listenable than any recent Florida Georgia Line
or Luke Bryan effort might. They even go drastically in a certain direction
still be called cohesive. In its innermost DNA, Wild Ones does little to
actually break from the bro label that critics had stuck him with during his
debut with Up All Night, but what he does do to exemplify himself as a standout
amongst the throngs of others inhabiting the scene is just enough to make him a
real star.
Whether the album goes beyond merely being another good effort under his belt,
looking for something to break totally out of the rock-ready bro country mold,
and somewhat more relatable than other offerings within the same expanse, than
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