00 Waves Of Wheels.nfo
General Information
===================
Title: Waves Of Wheels
Author: Can Atilla
Release Year: 2003
Genre: Electro, Downtempo
File Information
================
Number of Tracks: 14
Total Duration: 1:18:25
Total Size: 511.23 MB
Files Created on: 02-Jun-2016 00:28:40
Encoded At: CBR 1010 kbit/s 44 KHz Stereo
ID3 Tags: No
NFO Created: 03-Jun-2016 01:34:24
NFO/SFV/PAR created by: Mp3BookHelper http://mp3bookhelper.sourceforge.net/
Posting
=======
Posting date: 03-Jun-2016
File List
=============
Duration File Name
01 0:05:03 01 Torchlight.flac
02 0:03:58 02 Waves Of Wheels.flac
03 0:04:58 03 Mona Lisa Smile.flac
04 0:07:00 04 Love Sequence.flac
05 0:05:19 05 Steel Sky Tales.flac
06 0:02:59 06 Pause Of Time.flac
07 0:04:35 07 Eagle's Dance.flac
08 0:04:30 08 Lost In Madrid.flac
09 0:03:35 09 Winterland.flac
10 0:04:09 10 Epilogue.flac
11 0:13:59 11 Angel In Dream.flac
12 0:07:15 12 Omega Gate One.flac
13 0:04:59 13 A New Life In Medresse.flac
14 0:06:06 14 Karma.flac
Description
===========
Waves Of Wheels (1998) [Reissue 2003]. This CD from 2003 offers music which was
originally released as a rare CD-R in 1998, and is now available in remastered
form with additional material, featuring a total of 78 minutes of energetic
electronic music by this talented Turkish synthesist. Many electronic musicians
find powerful inspiration in the music of Tangerine Dream, generally focusing
those influences on TD's Seventies period style of lushly sequenced music. Atilla, though, deviates from that model with this release, seeking to pay homage to other styles explored by TD during their long and varied career, specifically from the late Eighties and early Nineties. Joining Atilla on these tracks are: Cenk Eroglu on guitar, and Meric Demirkol on saxophone.
Dense layers of crystalline keyboards are laced with lively chords and heavenly textures. Charismatic riffs explode with verve and determination, echoing within the craniums of the audience long after the CD has finished playing. There is little use of cyclic patterns; instead, Atilla pursues a constant accretion of variations, keeping the melodies active and relentlessly evolving.
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