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Subject: Charly McLion - The Nature of the Universe (NMR) [01/16] - "00 The Nature of the Universe.nfo" yEnc (1/1)
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00 The Nature of the Universe.nfo
General Information
===================
Title: The Nature of the Universe
Author: Charly McLion
Release Year: 2001
Genre: Unknown
File Information
================
Number of Tracks: 11
Total Duration: 1:03:18
Total Size: 373.23 MB
Files Created on: 06-May-2016 09:23:51
Encoded At: CBR 809 kbit/s 44 KHz Stereo
ID3 Tags: No
NFO Created: 14-May-2016 01:29:19
NFO/SFV/PAR created by: Mp3BookHelper http://mp3bookhelper.sourceforge.net/
Posting
=======
Posting date: 14-May-2016
File List
=============
Duration File Name
01 0:06:08 01 The Gate of Time.flac
02 0:05:34 02 Midnight Summer Rain.flac
03 0:05:20 03 Private Cosmos.flac
04 0:05:21 04 Dance of the Elves.flac
05 0:05:41 05 Eye in the Sky.flac
06 0:07:20 06 Black Hole.flac
07 0:05:12 07 World of Fantasy.flac
08 0:06:20 08 Dream Catcher.flac
09 0:05:05 09 Rainbow Kiss.flac
10 0:05:35 10 Moving Clouds.flac
11 0:05:42 11 Sunshine.flac
Description
===========
Electronic music of former Double Fantasy guitar/keyboard member Charly McLion.
McLion has been active in music since the
60's, inspired by artists such as Pink Floyd, Amon Duul II, and Caravan, he's
played everything from blues and rock and to folk and film soundtrack music.
The back cover of The Nature of the Universe calls the
album's music "interstellar, but not overdrive" and this is an apt description. Much of this album is reminiscent of the mellower, instrumental parts of latter day Pink Floyd. Even McLion's
guitar has a Gilmour-esque ring to it; its sustained notes are smooth, melodic,
and flowing.
It would be easy to dismiss this album as just another new age album, but that
would do it an injustice. Yes, it's mellow and relaxing, but it has the power to draw the listener into its space, and takes adventurous turns that new age musicians have a tendency to avoid, such as the whirlwind space textures of Midnight Summer Rain, the trancey hip-hop rhythms of Eye in the Sky, and the psychedelic guitar licks on Dream Catcher. McLion wisely keeps the focus on the guitar throughout, allowing the backdrop of lush synthesizers and drum machine rhythms to support his subtle style, rather than overwhelm it.
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