2008-08-23 St. Louis (Hoserama Version) (Infofile).txt
2008-08-23 St. Louis (Hoserama Version)
Label: None Format: 4CD
Catalog #: None Source: IEM / Audience MIX
Total Time: 236:36 Sound: ?.?
Date: August 23, 2008 Performance: ?.?
Location: Scottrade Center, St. Louis, Overall: ?.?
Missouri
This Upload will include an infofile, checksum,
frequency & spectral analysis, additional information & parfiles.
Additional information will include such things as possible logfiles, infofiles,
spectral or frequency analysis which were recieved along with this show.
FLAC Download -> WAV -> FLAC (level 8, allign border sectors & verify)
Disc 1: (78:50)
01. Intro (1:06)
02. Then She Kissed Me (3:33)
03. Radio Nowhere (3:53)
04. Out In The Street (5:55)
05. Adam Raised A Cain (5:23)
06. Spirit In The Night (8:01)
07. 'Sign Collecting' (2:37)
08. Rendezvous (3:34)
09. For You (7:09)
10. Mountain Of Love (4:33)
11. Backstreets (7:31)
12. Gypsy Biker (6:39)
13. Because The Night (6:17)
14. Not Fade Away - She's The One (6:13)
15. Livin' In The Future (6:25)
Disc 2: (77:25)
01. Cover Me (4:42)
02. Mary's Place (15:13)
03. Drive All Night (9:27)
04. The Rising (5:06)
05. Last To Die (4:26)
06. Long Walk Home (6:29)
07. Badlands (7:19)
08. 'Encore' (3:18)
09. Girls In Their Summer Clothes (5:28)
10. Jungleland (11:03)
11. Detroit Medley (4:53)
Disc 3: (39:04)
01. Born To Run (5:39)
02. Dancing In The Dark (6:01)
03. American Land (7:01)
04. 'Encore' (2:29)
05. Thunder Road (6:07)
06. Little Queenie (7:39)
07. Twist And Shout (4:06)
Disc 4: (41:17)
01. 'Band' (1:08)
02. Then She Kissed Me #1 (2:30)
03. Then She Kissed Me #2 (2:20)
04. Then She Kissed Me #3 (3:44)
05. 'Band' (2:23)
06. Then She Kissed Me #4 (4:39)
07. Everytime You Walk In The Room #1 (1:27)
08. Everytime You Walk In The Room #2 (2:47)
09. 'Band' (1:29)
10. Everytime You Walk In The Room #3 (2:45)
11. 'Band' (1:05)
12. 'Dead Air' (3:10)
13. 'Band' (1:09)
14. Little Queenie #1 (1:50)
15. Little Queenie #2 (1:37)
16. Little Queenie #3 (2:25)
17. 'Band' (4:46)
Notes:
- All of Disc 4 is the soundcheck of the show
- Disc 4 Track 14-16 includes a snippet of 'Living In The U.S.A.'
- Taper 1: Boothman
- Lineage 1: 1 8x IEMs > Cables > 5x Edirol R-09
- Taper 2: Ademotte
- Lineage 2: ALD > Recorder
- Taper 3: TallTaper
- Lineage 3: DPA 4060 > Edirol R-09HR
- Taper 4: Bakerstuff
- Lineage: Church Audio Cardioids CA-14 > CA-UGLY Pre-Amp > Edirol R-09HR
- Remastering: Aligned in Adobe Audition > Mixed in Nuendo 4, using extra waves, Ozone, Slate plug-ins > Flac'ed using Trader's Little Helper
- Known Issues 2: Bruce's vocals break up a bit during Drive All Night. It's on all the feeds, so something must have happened at the source. There's also some crackling
- Known Issues 3: All the IEM feeds except two cut out during Little Queenie. If you have a really good ear, you'll hear the mix change for the last two songs, and certain
instruments don't punch through quite as much.
- Known Issues 4: The balance on certain feeds changes sometimes too...so if at times I boost one feed, that can shift the balance of the vocals. I've done a lot to try
and make it as transparent as possible, but sometimes compromises were made.
- Known Issues 5: Regarding the audience recordings, I had both set up with a side-chain compressor, so that when the IEM sources got quiet, the volume of the audience
sources were automatically boosted. Then one audience send was manually adjusted for specific sections of crowd participation. By boosting those specific sections, it
changes the ambience of the recording by adding in more room sound. I did my best to make it as transparent as possible, but again, compromises were made at times.
Everybody might draw the line in a different place. Sometimes it might seem like there should be more crowd participation in some spots...but the audience recordings
didn't pick it up! What we really needed was a set of omnidirectional microphones in the middle of the floor to capture more crowd noise and less band, but you work
with the tools you have, not the tools you wish you had.
- Known Issues 6: One of the problems with the brand of IEM system used during this tour is sibilance. The sound processor on the system doesn't handle the higher
frequencies (5k-10k) very well, and if it gets cranked up too much, then you end up with some broadband distortion. Some of the 2011 U2 Bono feeds I taped had
this in spades. The feed with the best Springsteen lead vocals fell victim to this, and suffers some distortion as a result. I did my best to clean-up the sibilance
with a de-esser, and then did some general repair work for the distortion in those spots. However, you may still hear some artifacts. It creates a sound that I call
"spitty" in certain sections of the show. Somebody hook me up with a clean capture of Bruce's wireless microphone, and I'll gladly retrack it!
- Known Issues 7: There were 8 IEM packs on a single person! Not all feeds were able to receive the tender love and attention that might be given to a single pack.
Plus, there are antennas on opposite ends of the stage, so antennas facing you have better reception. Some feeds had a healthy level of static. I've done a lot of
unprocessed sources.
Info taken from Brucebase:
https://brucebase.wikispaces.com/2008#230808
2008-08-23 - SCOTTRADE CENTER, ST LOUIS, MO
Soundcheck: THEN SHE KISSED ME / WHEN YOU WALK IN THE ROOM / LITTLE QUEENIE
THEN SHE KISSED ME / RADIO NOWHERE / OUT IN THE STREET / ADAM RAISED A CAIN / SPIRIT IN THE NIGHT / RENDEZVOUS / FOR YOU / MOUNTAIN OF LOVE / BACKSTREETS /
GYPSY BIKER / BECAUSE THE NIGHT / NOT FADE AWAY - SHE'S THE ONE / LIVIN' IN THE FUTURE / COVER ME / MARY'S PLACE / DRIVE ALL NIGHT / THE RISING / LAST TO DIE /
LONG WALK HOME / BADLANDS / GIRLS IN THEIR SUMMER CLOTHES / JUNGLELAND / DETROIT MEDLEY / BORN TO RUN / DANCING IN THE DARK / AMERICAN LAND / THUNDER ROAD /
LITTLE QUEENIE / TWIST AND SHOUT
Audience tape and multi-channel IEM/AUD mixes. The audience tape is available on CDR 'All The Stars Shining' (Ev2) and CDs 'Lying in the Heat of the Night'
(Godfather) and 'St. Louis Magic Night' (Crystal Cat). The Ev2 version is probably best of the bunch, but still doesn't do a remarkable show justice.
Two multi-channel IEM/AUD mixes circulate. The first, 'St. Louis 2008 - 8' (Ev2), utilises eight IEM channels. The second, released by Hoserama in April 2015,
is a mix of eight IEM feeds, ALD, and two audience recordings. Hoserama took well over a year to create the mix, and it shows - it's by far the best representation
of a great night. As a bonus, it also includes the soundcheck. Wow, what a show. Has to go down as one of the best of the Reunion era with all sorts of surprises.
Premieres for four classic covers - "Then She Kissed Me" opens, last played exactly 33 years ago in Atlanta. "Mountain Of Love" (also 33 years away), a snatch
of "Not Fade Away" as intro to "She's The One" recalls 1978, and finally "Little Queenie", one of three songs played after "American Land". "For You" is the
full band version, and the set also includes "Adam Raised A Cain", "Rendezvous", "Cover Me", and "Drive All Night". "Mary's Place" includes "The Monkey Time".
"Rendezvous", "For You", "Mountain Of Love", "Backstreets", "Drive All Night", and "Little Queenie" are played by sign request. During the soundcheck,
Bruce sings a snippet of "Living In The U.S.A." before "Little Queenie". Patti Scialfa is not present.
Enjoy The Show,
Jeff
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