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Subject: 1977-02-15-Nothing Left to Lose Vol. 7-Detroit(JEMS) [01/29] - "Bruce Springsteen 1977-02-15 Detroit (JEMS Master 1977 Revisited Vol Seven).txt" yEnc (1/1)
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Bruce Springsteen 1977-02-15 Detroit (JEMS Master 1977 Revisited Vol Seven).txt
Bruce Springsteen and the E Street Band
featuring the Miami Horns
Masonic Temple Theatre
Detroit, MI
February 15, 1977
JEMS Master
Nothing to Lose: The 1977 Tour Revisited Vol. Seven
16/44 Edition
24/96 Edition
Recording Gear: Teac M-100 microphone > Sony TC-153SD cassette recorder
JEMS 2015 Transfer: master cassettes > Nakamichi 670 azimuth-adjusted playback > Wavelab 24/96 > iZotope RX4 > iZotope Ozone 5 > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC
01 Something In The Night
02 Night
03 Rendezvous
04 Spirit in the Night
05 It's My Life
06 Thunder Road
07 Mona > She's the One
08 Tenth Avenue Freeze-out (w/ Miami Horns)
09 Action in the Streets (w/ Miami Horns)
10 Backstreets
11 Jungleland
12 Rosalita (w/ Miami Horns)
13 Detroit Medley
14 Born to Run
Known Faults:
None
Welcome to the seventh edition of JEMS' Nothing to Lose series revisiting Bruce's remarkable 1977 tour. For the full history of our obsession with this era and the back story on the "Official Audience Tapes" that made up the first five volumes of the series, please refer to the notes in Vol. One found here:
http://jungleland.dnsalias.com/torrents-details.php?id=38539
Like Toronto, Detroit '77 has circulated among collectors since not long after J taped it 38 years ago. A master-to-DAT transfer was also made in the early days of the digital format, copies of which almost certainly provided the source for releases like Masonic Temple (Joker) and The Devil In Detroit. It's long been one of the better audience recordings of the tour, but it has never sounded as good as it could. This marks the first direct digital transfer of the master tapes, and every step along the chain, from the azimuth-adjusted playback to high-resolution capture to final mastering, is superior to what was done to DAT 25 years ago.
Happily, J was, and once again his mono capture is quite excellent, consistent and free from audience interruption. Samples provided.
Massive credit goes to J for his outstanding original recording and for pulling out the masters one last time to capture them at 24/96 and giving me so much to work with. Thanks yet again to M, for providing his '77 source tapes; to the folks on the Stone Pony message board whose thread sparked this series; and to mjk5510 who continues to provide invaluable assistance as JEMS' packaging and distribution supervisor par excellance.
BK for JEMS
IVAN EDIT
1. Tracks renumbered for CD burning
2. Tags added
3. spectral/frequency included
4. new .md5 and .ffp files created
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