hahahahaha...you bet !!...hahahaha
I'm in the process of telling my friend about the problem but what i can
say right now is that he usually uses EAC and Switch.
I'm not shure if this time he only used Switch ( or both), but what he does
when he rips a cd is : first he extracts the wav files with EAC and then he
converts those wav files to mp3 with Switch, i think he uses both programs
because is the best way, i myself just use EAC, but people say that
combining both programs you get better results, any way this time we are
talking about a LP so i can guess that he may have only used switch to
convert to mp3.
But any way let me ask him.
nene
p.d. hahhahhahha an organist..hahaha... Sancta mater ora pro me.
news:2cetaqe02-524A85.18341522072009@news.us.easynews.com...
> Since I have not awakened "nene's dark side," I guess you are not an
> organist! ;)
>
> Anyway, just tell your friend he ought to reduce the recording level he
> uses. I'm including two spectogram sections as illustrations -- you
> don't have to understand the science, you just have to look at them to
> get the idea.
>
> "Organ1" is from a snowy rip of an organ solo. "Organ2" is from one of
> your friend's rips. The flat tops and bottoms show that information is
> missing, and that crackling and wheezing will be heard.
>
> If you can tell me exactly what software your friend uses to rip his
> LPs, I'll try to figure out how to make the necessary adjustments, and
> you can send them along to your friend.
>
> A
>
>
>
> In article <00207d7d$0$29793$c3e8da3@news.astraweb.com>,
> "nene" <nenepil(nospam)@excite.com> wrote:
>
>> Hi Amahl:
>>
>> Mmmhh, let me comment this to my friend who made those rips, half of the
>> problem could have a quick solution and for sure a better one if Snowy
>> wants
>> to post the CD version of the Misa Matinal...he told me he has the cd so
>> i
>> think he is ripping his cd by now and for sure he is almost ready to post
>> it
>> for us ( me included ).
>>
>> About the other LP, let me see if i can convince my friend about a new
>> rip
>> of the vigilia de la pentecosta and if he can fix the problem, i'm going
>> to
>> try to explain what you found...honestly i have not listened it very well
>> yet
>>
>> I have other rips i'm going to post comming from the same source so if
>> there is a problem with those others too, please feel free in telling me
>> and
>> if i can i will replace those files but as you can see it doesn't depends
>> on
>> me.
>> And don't worry about telling me any problem you can find, those
>> comments
>> are always welcome as same as any other comment or request and if i can
>> fix
>> any problem or help with any request, i will do it, perhaps some people
>> think i'm a little vilolent some times and always ready for a fight but
>> as
>> you already know, those times are only when our sacred and holy classical
>> group is invaded by you know what kind of music, those moments are the
>> only
>> moments in which nene's dark side will show up in its full glory but as
>> for
>> the rest, Please, beleive me, I'm really the most jocking, freindly and
>> comprehensible person of the world...hehehehe, and if don't, just ask
>> snowy, he can tell...hehehehe
>>
>> see you and let me see what i can do
>>
>> nene
>>
>> p.d. and snowy...come on, we are waiting for that rip...allez, allez
>>
>>
>>
>> news:2cetaqe02-57E56E.12213022072009@news.us.easynews.com...
>> > Any time an organist is allowed a solo, he makes A GREAT DEAL OF NOISE.
>> >
>> > Because of that, a recording level you would use for voices alone is
>> > too
>> > high, and there is clipping and distortion of the loud sections. I
>> > noticed it on your rip of Missa Matinal, and now on your rip of Vigilia
>> > de la Pentecosta as well. From what I can see from the spectograms
>> > when
>> > I open the files in Audacity, it would help to reduce your recording
>> > level by about thirty per cent.
>> >
>> > Thanks for posting so many hard-to-get recordings, and please don't
>> > mistake technical advice for criticism. I really appreciate everything
>> > you contribute to the group.
>> >
>> > A
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